Seymour Duncan wiring

Two humbuckers, three-way blade, volume, push/pull phase bridge tone and push/pull series/parallel neck tone

Two humbuckers · Three-way blade · 500k master volume · 500k push/pull bridge tone (phase) · 500k push/pull neck tone (series/parallel)

Two Seymour Duncan humbuckers through a three-way blade to a 500k master volume, with a 500k push/pull tone and .047 cap for each pickup. Each humbucker's red and white leads are taped off. Pulling the bridge tone reverses the bridge pickup's phase; pulling the neck tone puts the two pickups in series with each other.

Two humbuckers, three-way blade, volume, push/pull phase bridge tone and push/pull series/parallel neck toneTwo humbuckers, three-way blade, volume, push/pull phase bridge tone and push/pull series/parallel neck tone: Two humbuckers · Three-way blade · 500k master volume · 500k push/pull bridge tone (phase) · 500k push/pull neck tone (series/parallel). Original Tinkercaster drawing with labelled terminals.Neck pickupNeck pickupBridge pickupBridge pickup3-way bladeMaster volume 500k · 500k500kBridge tone 500k push/pull (phase) · 500k500kNeck tone 500k push/pull (series/parallel) · 500k500kBridge tone .047 cap · 47nF47nFNeck tone .047 cap · 47nF47nFOutput jackBridge ground wireblackgreenwhiteredbareblackgreenwhiteredbareT1T2T3T4T5T6T7T8lug1lug2lug3lug1lug2lug3sw1sw2sw3sw4sw5sw6lug1lug2lug3sw1sw2sw3sw4sw5sw6ababtipsleeveground

Viewed from the back of the controls, as you solder them. Open the interactive diagram to zoom, move components and try the switches.

Parts and values

In the drawingValuePart
Neck pickupSource: Upper Seymour Duncan humbucker (taken as neck)—Humbucker (four-conductor, Seymour Duncan colours)Generic
Bridge pickupSource: Lower Seymour Duncan humbucker (taken as bridge)—Humbucker (four-conductor, Seymour Duncan colours)Generic
3-way bladeSource: 3 way blade (Seymour Duncan)—CRL 3-Way BladeExample part
Master volume 500kSource: Master Volume 500k500kCTS 500k Audio PotExample part
Bridge tone 500k push/pull (phase)Source: Bridge Tone 500k phase500k500k Push-Pull DPDTExample part
Neck tone 500k push/pull (series/parallel)Source: Neck Tone 500k series/parallel500k500k Push-Pull DPDTExample part
Bridge tone .047 capSource: .047 cap (bridge tone)47nFOrange Drop .047µFExample part
Neck tone .047 capSource: .047 cap (neck tone)47nFOrange Drop .047µFExample part
Output jackSource: Output Jack—Switchcraft #11Example part
Bridge ground wire—Bridge ground wireGeneric

“Example part” means any part with the same value and lugs will do; the source does not name a brand. “Generic” stands in for an unspecified pickup: check your own pickup's lead colours before you solder.

Specific to this wiring

  • Source title: '2 HUMBUCKERS | 1 VOLUME', '2 TONES push/pull phase, push/pull master series/parallel', '3 WAY BLADE'. The controls are labelled 'Master Volume 500k', 'Bridge Tone 500k phase' and 'Neck Tone 500k series/parallel'.
  • Both pickups: 'Red & White wires get soldered together and taped off.' Each humbucker stays a full humbucker; the series/parallel push/pull switches the two pickups against each other, not the coils inside one pickup.
  • The bridge pickup's black and green go to the two middle lugs of the bridge tone push/pull, whose top and bottom lugs are cross-wired in an X. Its bottom-left lug goes to the bridge tone casing; its top-left lug feeds both the bridge tone's left lug and the neck tone push/pull.
  • The neck pickup's green goes to the neck tone push/pull middle-right lug. That switch's two lugs nearest the pot are jumpered; its top-left lug goes to the blade and its top-right lug to the neck tone casing.
  • The blade's top-right lug carries two wires: the neck pickup's black and a wire down to the neck tone's left lug.
  • On the blade, the top two left lugs are jumpered, the second left lug is jumpered to the third right lug, and the bottom two right lugs are jumpered; the bottom-right lug goes to the master volume's left lug.
  • The master volume has two Solder spots: the bridge bare goes to the upper one and the neck bare to the lower one, where the volume's right lug is bent onto the casing. The upper spot is wired down to the bridge tone casing, which is wired on to the neck tone casing and from there to the jack sleeve.
  • The bridge ground wire goes to the bridge tone casing. Each tone's third lug is left unconnected.
  • The source legend marks the grey 'Solder' spots as the location for ground (earth) connections.
  • Sleeve (ground): the inner, circular portion of the jack. Tip: hot output.
  • The pickups, the blade lugs and the push/pull lugs are not labelled in the source; the upper pickup is taken as the neck (it feeds the neck tone), and the switch tags are mapped by what each does.

Connections

In soldering order: grounds first, then the switch, the pickups and the signal path.

#FromToHow
1Neck greenNeck tone push/pull middle-right lugWiregreen
2Neck bareMaster volume casing (lower Solder spot)Shield or groundbare
3Bridge greenBridge tone push/pull middle-right lugWiregreen
4Bridge bareMaster volume casing (upper Solder spot)Shield or groundbare
5Bridge tone push/pull bottom-left lugBridge tone casingTo a pot casingblack
6Neck tone push/pull top-right lugNeck tone casingTo a pot casingblack
7Master volume right lugMaster volume casingLug bent onto the casing under the lower Solder spot.To a pot casing
8Master volume casing (upper Solder spot)Bridge tone casingCrosses two wires near the bridge tone push/pull without joining.To a pot casingblack
9Bridge tone .047 capBridge tone casingTo a pot casing
10Neck tone .047 capNeck tone casingTo a pot casing
11Bridge tone casingNeck tone casingTo a pot casingblack
12Neck tone casingJack sleeveWireblack
13Bridge ground wireBridge tone casingWireblack
14Neck blackBlade top-right lugRuns up and over the top of the blade.Wireblack
15Neck tone push/pull top-left lugBlade bottom-left lugHops two wires on the way up.Wireblack
16Blade top-right lugNeck tone left lugSecond wire on the lug; hops the neck green.Wireblack
17Blade top-left lugBlade second left lugJumper.Wireblack
18Blade second left lugBlade third right lugJumper.Wireblack
19Blade third right lugBlade bottom-right lugJumper.Wireblack
20Blade bottom-right lugMaster volume left lugHops the neck green.Wireblack
21Neck redNeck whiteSoldered together and taped off.Joined and insulatedred
22Bridge redBridge whiteSoldered together and taped off.Joined and insulatedred
23Bridge blackBridge tone push/pull middle-left lugWireblack
24Bridge tone push/pull top-left lugBridge tone push/pull bottom-right lugOne arm of the X; crosses the other arm without joining.Wireblack
25Bridge tone push/pull top-right lugBridge tone push/pull bottom-left lugOther arm of the X.Wireblack
26Bridge tone push/pull top-left lugBridge tone left lugCrossed by the master volume's ground wire without joining.Wireblack
27Bridge tone push/pull top-left lugNeck tone push/pull middle-left lugLoops over the switch and hops the bridge green.Wireblack
28Neck tone push/pull bottom-left lugNeck tone push/pull bottom-right lugJumper across the two lugs nearest the pot.Wireblack
29Master volume middle lugJack tipHops the wires it crosses.Wireblack
30Bridge tone middle lugBridge tone .047 capWire
31Neck tone middle lugNeck tone .047 capWire

What each position does

SettingThe sourceEngine result
Neck, bridge tone down, neck tone down—Neck pickup (both coils).
Middle, bridge tone down, neck tone down—Neck pickup (both coils) and Bridge pickup (both coils) in parallel.
Bridge, bridge tone down, neck tone down—Bridge pickup (both coils).
Neck, bridge tone down, neck tone pulled (series)Neck tone pulled (series): the neck pickup's green feeds the bridge pickup, so both pickups play in series from the neck pickup's black.Neck pickup (both coils) and Bridge pickup (both coils) in series.
Middle, bridge tone down, neck tone pulled (series)Neck tone pulled (series): the neck pickup's green feeds the bridge pickup, so both pickups play in series from the neck pickup's black.Neck pickup (both coils) and Bridge pickup (both coils) in series.
Bridge, bridge tone down, neck tone pulled (series)Neck tone pulled (series): the blade's bridge-side common (bottom-left lug) is left open, so the bridge position is silent.No pickup reaches the output.
Neck, bridge tone pulled (phase), neck tone down—Neck pickup (both coils).
Middle, bridge tone pulled (phase), neck tone downBridge tone pulled: the bridge pickup's phase is reversed.Neck pickup (both coils) and Bridge pickup (both coils) in parallel.
Bridge, bridge tone pulled (phase), neck tone down—Bridge pickup (both coils).
Neck, bridge tone pulled (phase), neck tone pulled (series)Neck tone pulled (series): the neck pickup's green feeds the bridge pickup, so both pickups play in series from the neck pickup's black. Bridge tone pulled: the bridge pickup's phase is reversed.Neck pickup (both coils) and Bridge pickup (both coils) in series.
Middle, bridge tone pulled (phase), neck tone pulled (series)Neck tone pulled (series): the neck pickup's green feeds the bridge pickup, so both pickups play in series from the neck pickup's black. Bridge tone pulled: the bridge pickup's phase is reversed.Neck pickup (both coils) and Bridge pickup (both coils) in series.
Bridge, bridge tone pulled (phase), neck tone pulled (series)Neck tone pulled (series): the blade's bridge-side common (bottom-left lug) is left open, so the bridge position is silent.No pickup reaches the output.

Checked with the Tinkercaster wiring engine against the switching the source describes.

  • Hum cancelling and phase describe the generic pickup models, not a measurement of any specific Seymour Duncan model.
  • Pickup resistance is not specified, so no numeric meter readings are given.
  • The source does not say which knob position does what; this follows the usual push/pull behaviour (pulled joins the middle lugs to the lugs nearest the pot).

Before you solder

Ticks are kept in this browser only, as a reminder. They are not a check of your joints. New to soldering? Read the soldering cheat sheet.

Check before plugging in

  • Both knobs down: each blade position reads the selected humbucker, or both in parallel in the middle.
  • Pull the neck tone: the neck and middle positions read both humbuckers in series (roughly the sum of both); the bridge position is open.
  • Pull the bridge tone with the blade in the middle: the two pickups play out of phase.

Measure across the output jack with a multimeter on its resistance range. No exact readings are given where the source does not specify the pickups.