Seymour Duncan wiring

Two humbuckers with a three-way blade, one volume and two tones

Two humbuckers · Three-way blade · One volume · Two tones

Neck and bridge Seymour Duncan humbuckers selected by a three-way blade into one 500k volume. Each pickup has its own 500k tone with a .047 µF capacitor, wired on the pickup's lead before the switch.

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Viewed from the back of the controls, as you solder them. Select a component to move, rotate or flip it. Follow wires and try the switches in simulation mode. Use Full screen for a closer look.

Parts and values

In the drawingValuePart
Neck pickupSource: Seymour Duncan Neck Pickup—Humbucker (four-conductor, Seymour Duncan colours)Generic
Bridge pickupSource: Seymour Duncan Bridge Pickup—Humbucker (four-conductor, Seymour Duncan colours)Generic
3-Way Blade SwitchSource: 3 Way Blade—CRL 3-Way BladeExample part
Neck tone 500kSource: Neck Tone 500k500kCTS 500k Audio PotExample part
.047 cap (neck)Source: .047 cap (neck tone)47nFOrange Drop .047µFExample part
Bridge tone 500kSource: Bridge Tone 500k500kCTS 500k Audio PotExample part
.047 cap (bridge)Source: .047 cap (bridge tone)47nFOrange Drop .047µFExample part
Volume 500k500kCTS 500k Audio PotExample part
Output Jack—Switchcraft #11Example part
Bridge Ground WireSource: Bridge ground wire—Bridge ground wireGeneric

“Example part” means any part with the same value and lugs will do; the source does not name a brand. “Generic” stands in for an unspecified pickup: check your own pickup's lead colours before you solder.

Specific to this wiring

  • On each pickup, solder the red and white leads together and tape them off.
  • Each pickup's black lead goes to a lug on its own tone pot, and that lug runs on to a common lug on the switch, so each tone only works on its own pickup.
  • Each .047 cap sits between its tone's middle lug and that tone's casing.
  • Three short jumpers join four switch lugs into one output, which goes to the volume's input lug; the volume's middle lug goes to the jack tip.
  • The grey 'Solder' spots mark the ground (earth) connections.
  • The source does not number the switch positions; the lugs are mapped by what they do (neck, both, bridge).

Connections

In soldering order: grounds first, then the switch, the pickups and the signal path. Choose Show to highlight a connection in the drawing.

#FromToHowDrawing
1Neck greenNeck tone casingNeck green runs to the neck tone's solder spot.To a pot casinggreen
2Neck bareNeck tone casingNeck bare (drawn grey) runs with the green to the same spot.Shield or groundbare
3Bridge greenBridge tone casingBridge green runs to the bridge tone's solder spot.To a pot casinggreen
4Bridge bareBridge tone casingBridge bare (drawn grey) runs with the green to the same spot.Shield or groundbare
5Neck .047 capNeck tone casingThe cap's other leg goes to the neck tone's solder spot.To a pot casingblack
6Bridge .047 capBridge tone casingThe cap's other leg goes to the bridge tone's solder spot.To a pot casingblack
7Volume right lugVolume casingLug bent onto the casing.To a pot casing
8Neck tone casingVolume casingThe wire hops one crossing wire on its way to the volume's solder spot.To a pot casingblack
9Neck tone casingBridge tone casingStraight down between the two tone solder spots.To a pot casingblack
10Bridge tone casingJack sleeveTo a pot casingblack
11Bridge ground wireVolume casing'Bridge ground wire' ends on the volume's solder spot.Shield or groundblack
12Neck tone top lugSwitch top-right lug (common)The wire loops up over the switch to its top-right lug.Wireblack
13Bridge tone top lugSwitch bottom-left lug (common)The wire runs right and up to the switch's bottom-left lug.Wireblack
14Switch top-left lugSwitch second left lugShort jumper between the switch's top two left lugs.Jumperblack
15Switch second left lugSwitch third right lugJumper from the second left lug down to the third right lug.Jumperblack
16Switch third right lugSwitch bottom-right lugJumper between the switch's bottom two right lugs.Jumperblack
17Switch bottom-right lugVolume left lug (input)The wire runs down and round to the volume's left lug.Wireblack
18Neck redNeck whiteNeck red and white end in the taped joint above the neck tone.Joined and insulatedred
19Neck blackNeck tone top lugNeck black runs right and down to the neck tone's top lug.Wireblack
20Bridge redBridge whiteBridge red and white end in the taped joint above the bridge pickup.Joined and insulatedred
21Bridge blackBridge tone top lugBridge black hops over the ground wire and ends on the bridge tone's top lug.Wireblack
22Neck tone middle lugNeck .047 capThe cap is drawn on the back of the neck tone.Wireblack
23Bridge tone middle lugBridge .047 capThe cap is drawn on the back of the bridge tone.Wireblack
24Volume middle lugJack tipWireblack

What each position does

SettingThe sourceEngine result
NeckOnly the neck tone acts.Neck pickup (both coils).
Neck + bridgeBoth tones act, each on its own pickup's lead.Neck pickup (both coils) and Bridge pickup (both coils) in parallel.
BridgeOnly the bridge tone acts.Bridge pickup (both coils).

Checked with the Tinkercaster wiring engine against the switching the source describes.

  • Hum cancelling and phase describe the generic pickup models, not a measurement of any specific Seymour Duncan model.
  • Pickup resistance is not specified, so no numeric meter readings are given.
  • The simulator reports one tone control per position; the second tone is wired the same way on the other pickup.

Before you solder

Ticks are kept in this browser only, as a reminder. They are not a check of your joints. New to soldering? Read the soldering cheat sheet.

Check before plugging in

  • In each switch position, the meter across the jack should read the selected pickup, or both in parallel in the middle.
  • Each taped red–white joint should read open to ground.
  • With the volume at zero, tip and sleeve should read as a short in every position.

Measure across the output jack with a multimeter on its resistance range. No exact readings are given where the source does not specify the pickups.